RH750

RH750 is our flagship compact bass amp, with power for days and a gorgeous, cutting-edge featureset that's equally equipped to handle the gruelling rigors of harcore touring and the hi-performance demanded in studio- and recording situations.

Power Plus Punch

With 750 watts of power as well as superior tonal capabilities and the well-known Bass Amp 2.0 feature set, RH750 is ready to take on any stage anywhere!

Suit Your Needs

Music is a living thing. Songs have vibes and moods, venues change, tones change and sometimes the job calls for a  change in bass. RH750 makes adapting to changes super-easy by allowing store/recall of three presets.

Force Focused

We've added SpectraComp™, a whole new way of looking at compression, tailor made for bassists. SpectraComp™ evens out compression equally over all strings, as opposed to just the low E, as is the case with conventional compressors. This results in a rock solid sound that cuts through any mix.

FEATURES

Built–in Bass Tuner

The on–board bass tuner is chromatic, and it’s always on. In other words, you can check up on your tuning state at any time – even at a quick glance in the middle of a tune. And tuning up between songs is faster then ever. Crowds just hate waiting!

3 Presets

Do you ever play different basses – or tunes that need unique tones – on the same gig? You can create 3 presets tailored for e.g. a Jazz Bass, a P Bass and an active bass, or it could be for Rock, Slap or Upright bass. It’s all up to you, and you’ll find that swapping basses on the stage is faster than ever!

Flexible Tone Controls

The EQ section is semi–parametric on all 4 bands. You may never need to use the semi–parametric option, but if you should happen to be at a venue that requires surgical frequency adjustment, just hit the Shift button and define exactly at which frequency each EQ–band should cut or boost.

SpectraComp

Multi–band compression – the musical way to control dynamics. SpectraComp can be subtle or downright aggressive, but either way you get the best bass compressor ever made. Single–band compressors tend to be controlled only by the lower strings, but with SpectraComp you virtually get ‘per string compression’.

TubeTone

TubeTone gives you that vintage feel of an all–tube bass amp. Rather than fitting a single tube in the preamp section, we have designed a pristine circuit that emulates not only a tube preamp, but also a complete tube power amp. Add subtle tube warmth or crank it all the way up for dirty drive tone.

Line Driver

The built–in DI is state–of–the–art. In many cases superior to external DI boxes, so if you need to send a signal to an FOH engineer, try this option first. You can also use it when recording in the studio, taking advantage of the flexible EQ section, SpectraComp and TubeTone.

Effects Loop

Use the Send/Return connectors to hook up external effects. Traditionally, dry/wet effects such as chorus or reverb are used in a Send/Return system, but today there are no rules. If you want to experiment with adding effects like drive or filter modulation ‘on top’ of your clean signal, this is the way to go.

Plug & Play

Use your iPod, phone, MP3 player or similar to jam along your favorite tracks. Just plug it into the AUX input and you’re ready for a rehearsal session, combining your favorite music with your favorite bass tone!

Late Night Jammin’

If you like jamming late at night, plug in a pair of headphones for a silent session. Keep it grooving, and keep your family and neighbors happy at the same time.

Power Up Anywhere

The ultimate in convenience for the traveling musician. The built–in power supply operates from 90 to 240 Volts, making life a lot easier if you’re on the road as there’s no complicated fuse changing – just plug and play wherever you are!

RC4 Remote

Want to switch easily between your presets, or tune up without having to turn around? The RC4 Remote is your solution!

You gain total control right at your feet, and it will also allow you to quicly mute the amp for silent tuning in betweens songs.

TECH SPECS

Input Section

• Input connector: 1/4" jack
• Input impedance: 1 MOhm / 100 pF
• Gain range: -96 to 32 dB

Tone controls

• Bass: Default Freq: 200 Hz (range: 71-1120 Hz, Gain: +15/-24 dB) - Shelving type.
• Low Mid: Default Freq: 400 Hz (range: 100-1600 Hz, Gain: +15/-24 dB)
• High Mid: Default Freq: 800 Hz (range: 200-3150 Hz, Gain: +15/-24 dB)
• Treble: Default Freq: 4000 Hz (range: 400-6300 Hz, Gain: +15/-24 dB) - Shelving type.
• TweeterTone: -12 to 12, L-PAD Cabinet Recreation
• TubeTone: 0 to 12, Tube amp Recreation
• SpectraComp: 3 band Spectral Compression
• Preset Level: -12 dB to 0 gain attenuation
• User Memories: 3 memory locations storing all front panel controls except Mute & Master Level

Tuner

• Tuning range: Chromatic, constant on A0 (27.50 Hz) to E5 (659.26 Hz)
• Mute: Mutes speaker out, Phones out and Balanced out
• Master Level Headphone Output: Studio quality headphone amp
• Impedance: 40 to 600 Ohm
• Mains supply: Universal 100-240V~ 50/60 Hz (100 W @ 1/8 Power)
• Speaker out: Combined Speakon / 1/4" jack
• Power module rating: 750W (1200W inst. Peak @ min. Load) TCE Power rating and Active Power Management
• Balanced output: Transformer Balanced XLR, Pre/Post Pre-amp
• Max. Output: +0 dBu
• Optimal Load Impedance: 600 Ohm
• Preamp out: 1/4" Jack, Balanced Output, Max Output Level = +8 dBu
• Power amp in: 1/4" Jack, balanced input, impedance = 10 kOhm, Max Input Level = +8 dBu
• Rehearsal input: RCA, Left/Right input, fits to iPod®
• Digital Recording out: Balanced XLR, AES/EBU, (24 Bit)
• Remote connection: 5 pin DIN, Cable with shield
• Operating/Storage Temperature: 0° C to 50° C / -30° C to 70° C
• Humidity: Max. 90 % non-condensing
• Dimensions: 275 x 290 x 66 mm / 10,8" x 11,4" x 2,6"
• Weight: 4kg / 8.8 pounds
• Finish: Anodized aluminum front plated and painted steel chassis