RH450
RH450
There was one reason to make RH450: making bass better. There's a dedicated bass team at TC, guys that gig, record, rehearse, live and breathe bass. So when they got a chance to finally do an amp, they built 'the best amp possible' from the ground up.
The result is a compact, powerful amp with a set of features so advanced we like to think of them as Bass Amp 2.0.
Ultimate Tone Tools
Use the 4-band semi-parametric EQ to sculpt your basic tone. Then apply SpectraComp and/or TubeTone for the finishing touch.
Traditional compressors tend to be controlled by the lower strings only, but with multi-band compression, you get even 'per string' compression.
TubeTone emulates not only a tube preamp, but also the power amp section of a classic tube amp. Shockingly convincing!
Tune Up
Why no one has ever done this before is simply beyond us. Adding an onboard chromaitic tuner makes life so much easier for everyone!
The tuner is always on, and you can check your tuning state at any point.
And when you need to tune up between songs, the built-in tuner will get you back and playing in seconds. Crowds just hate to wait!
Presets
Different situations call for different tones. Be it a change of bass, a different song/style or a different venue, you need your amp to be instantly flexible and adapt to your needs.
You can store up to 3 different presets so you can handle whatever music might throw at you. Also, the optional RC4 footswitch allows you to instantly control your presets.
FEATURES
Built–in Bass Tuner
The on-board bass tuner is chromatic, and it’s always on. In other words, you can check up on your tuning state at any time – even at a quick glance in the middle of a tune. And tuning up between songs is faster then ever. Crowds just hate waiting!
3 Presets
Do you ever play different basses – or tunes that need unique tones – on the same gig? You can create 3 presets tailored for e.g. a Jazz Bass, a P Bass and an active bass, or it could be for Rock, Slap or Upright bass. It’s all up to you, and you’ll find that swapping basses on the stage is faster than ever!
TubeTone
TubeTone gives you that vintage feel of an all–tube bass amp. Rather than fitting a single tube in the preamp section, we have designed a pristine circuit that emulates not only a tube preamp, but also a complete tube power amp. Add subtle tube warmth or crank it all the way up for dirty drive tone.
SpectraComp
Multi–band compression – the musical way to control dynamics. SpectraComp can be subtle or downright aggressive, but either way you get the best bass compressor ever made. Single–band compressors tend to be controlled only by the lower strings, but with SpectraComp you virtually get ‘per string compression’.
Flexible Tone Controls
The EQ section is semi–parametric on all 4 bands. You may never need to use the semi–parametric option, but if you should happen to be at a venue that requires surgical frequency adjustment, just hit the Shift button and define exactly at which frequency each EQ–band should cut or boost.
Late Night Jammin’
If you like jamming late at night, plug in a pair of headphones for a silent session. Keep it grooving, and keep your family and neighbors happy at the same time.
Plug & Play
Use your iPod, phone, MP3 player or similar to jam along your favorite tracks. Just plug it into the AUX input and you’re ready for a rehearsal session, combining your favorite music with your favorite bass tone!
Effects Loop
Use the Send/Return connectors to hook up external effects. Traditionally, dry/wet effects such as chorus or reverb are used in a Send/Return system, but today there are no rules. If you want to experiment with adding effects like drive or filter modulation ‘on top’ of your clean signal, this is the way to go.
Line Driver
The built–in DI is state–of–the–art. In many cases superior to external DI boxes, so if you need to send a signal to an FOH engineer, try this option first. You can also use it when recording in the studio, taking advantage of the flexible EQ section, SpectraComp and TubeTone.
Power Up Anywhere
The ultimate in convenience for the traveling musician. The built–in power supply operates from 90 to 240 Volts, making life a lot easier if you’re on the road as there’s no complicated fuse changing – just plug and play wherever you are!
RC4 Remote
Want to switch easily between your presets, or tune up without having to turn around? The RC4 Remote is your solution!
You gain total control right at your feet, and it will also allow you to quicly mute the amp for silent tuning in betweens songs.
- Input connector: 1/4" jack
- Input impedance: 1 Mohm / 100 pF
- Gain range: -96 to 32dB
- Bass: Center Freq: 280Hz (range: 71-1120Hz, Gain: +15/-24dB)
- Low Mid: Center Freq: 400Hz (range: 100-1600Hz, Gain: +15/-24dB)
- High Mid: Center Freq: 800Hz (range: 200-3150Hz, Gain: +15/-24dB)
- Treble: Center Freq: 1600Hz (range: 400-6300Hz, Gain: +12/-24dB)
- Tube Tone: 0 to12, Tube amp Recreation
- Spectra Comp: 3 band Spectral Compression
- Preset Level: -12 dB to 0 gain attenuation
- User Memories: 3 memory locations storing all front panel controls except Mute & Master Level
- Tuning range: Chromatic, constant on A0 (27.50Hz) to E5 (659.26Hz)
- Mute: Mutes speaker out, Phones out and Balanced out
- Master Level Headphone Output: Studio quality headphone amp
- Impedance: 40 to 600 Ohm
- Mains supply: Universal 100 - 240V 50/60Hz (85w @ 1/8 Power)
- Speaker out: Combined Speakon / 1/4" jack
- Power module rating: 450W (800W inst. Peak @ min. Load) TCE Power rating and Active Power Management
- Balanced output: Transformer Balanced XLR, Pre/Post Pre-amp
- Max. Output: +0dBu
- Optimal Load Impedance: 600 Ohm
- Preamp out: 1/4" Jack, Balanced Output, Max Output Level = +8dBu
- Power amp in: 1/4" Jack, balanced input, impedance = 10 kOhm, Max Input Level = +8dBu
- Rehearsal input: RCA, Left/Right input, fits to iPod ®
- Digital Recording out: Balanced XLR, AES/EBU, (24-bit)
- Remote connection: 5 pin DIN, Cable with shield
- Dimensions: 275 x 290 x 66 mm / 10,8” x 11,4” x 2,6”
- Weight: 4kg / 8.8 pounds
- Finish: Sandblasted die-cast aluminum